Sunday, October 28, 2018 - 6:00 pm - Mechanics Hall
ABOUT THE PROGRAM
In addition to Music Worcester’s 160th anniversary during the 2018-2019 season, we also celebrate Chris Shepard’s 10th anniversary as director of The Worcester Chorus. For this first Chorus concert of the season, Chris has selected a program that pairs audience favorites with works that have deep meaning for him, while also featuring the members of the Worcester Chamber Music Society:
Copland Appalachian Spring
Sedek Nature Has a Thousand Choirs, commissioned by The Worcester Chorus for Chris Shepard's 10th Anniversary
Handel Zadok the Priest
Beethoven Choral Fantasy
Beethoven Symphony No. 9 (mvt. 4) "Ode to Joy"
The piano soloist for the Choral Fantasy will be Simone Dinnerstein, who will serve as Music Worcester’s first educational Artist-In-Residence during the 2018-2019 Season.
ABOUT THE ARTISTS & COMPOSER
Hailed as a group with imagination, style and chops, the Worcester Chamber Music Society took the Worcester, Massachusetts scene by storm with its initial concert in 2006. It has become a recognized cultural presence within the Greater Worcester area by presenting sold-out concerts to captivated audiences, receiving consistent critical acclaim, building new young audiences, and training rising musicians through both its Neighborhood Strings and Summer Music Camp programs.
WCMS brings world-class chamber music to intimate Greater Worcester venues. WCMS nurtures the community through a unique combination of affordable concerts, education and community engagement.
“Through the years the Chamber Music Society has crafted thoughtful, innovative and interesting programs, and its playing has become so effortless, so technically virtuosic and so musically expressive…they have become one of the most loved and admired treasures in our musical community.”
– Worcester Telegram and Gazette
American pianist Simone Dinnerstein is known for her “majestic originality of vision” (The Independent) and her “lean, knowing and unpretentious elegance” (The New Yorker).
2017 saw three major projects for Dinnerstein. She released the album Mozart in Havana, recorded in Cuba with the Havana Lyceum Orchestra. She went on to bring the orchestra to the United States for their first ever American tour, playing eleven concerts from Miami to Boston. Philip Glass wrote a piano concerto for Dinnerstein, co-commissioned by a consortium of twelve orchestras. She premiered it in Boston with string orchestra A Far Cry in what the Wall Street Journal described as a “graceful, fluid reading.” At the New York premiere The New Yorker was “struck dumb with admiration” by this new addition to the piano concerto repertoire. During 2018 Dinnerstein will perform the concerto withtwelve orchestras across America and internationally with the London Symphony Orchestra, the Manitoba Chamber Orchestra and the MDR Leipzig Radio Symphony Orchestra. She will release a recording of Glass’ piano concerto with A Far Cry in spring 2018. Finally, Dinnerstein continued her rich history with Bach’s Goldberg Variations. She collaborated with choreographer Pam Tanowitz on New Work for Goldberg Variations, which featured on the 2017 top ten lists of critics at The New York Times and The Boston Globe.
Dinnerstein first attracted attention in 2007 with her self-produced recording of Bach’s Goldberg Variations. It was a remarkable success, reaching No. 1 on the U.S. Billboard Classical Chart in its first week of sales and was named to many "Best of 2007" lists including those of The New York Times, The Los Angeles Times, and The New Yorker. The recording also received the prestigious Diapason D’Or in France and established Dinnerstein’s distinctive and original approach. The New York Times called her “a unique voice in the forest of Bach interpretation.” She has gone on to make a further eight albums since then with repertoire ranging from Beethoven to Ravel.
Since 2007 the New York-based pianist’s performance schedule has taken her around the world. She has performed at venues including the Kennedy Center for the Performing Arts, Vienna Konzerthaus, Berlin Philharmonie, Sydney Opera House, Seoul Arts Center, and London's Wigmore Hall; festivals that include the Lincoln Center Mostly Mozart Festival, the Aspen, Verbier, and Ravinia festivals; and performances with the Vienna Symphony Orchestra, Dresden Philharmonic, Staatskapelle Berlin, RAI National Symphony Orchestra, Royal Scottish National Orchestra, Czech Philharmonic, Danish National Symphony Orchestra, New York Philharmonic, Minnesota Orchestra, Atlanta Symphony, Baltimore Symphony, Montreal Symphony Orchestra, Melbourne Symphony Orchestra, Orquestra Sinfonica Brasileira, and the Tokyo Symphony.
Dinnerstein has played concerts throughout the U.S. for the Piatigorsky Foundation, an organization dedicated to bringing classical music to non-traditional venues. She gave the first classical music performance in the Louisiana state prison system at the Avoyelles Correctional Center, and performed at the Maryland Correctional Institution for Women in a concert organized by the Baltimore Symphony Orchestra. Dedicated to her community, in 2009 Dinnerstein founded Neighborhood Classics, a concert series open to the public hosted by New York public schools which raises funds for their music education programs. She has also created a program called Bachpacking for elementary schools. She takes a digital keyboard into individual classrooms, helping young children to get close to the music she loves. Dinnerstein, a winner of Astral Artists’ National Auditions, is a graduate of The Juilliard School where she was a student of Peter Serkin. She also studied with Solomon Mikowsky at the Manhattan School of Music and in London with Maria Curcio. She is on the faculty of the Mannes School of Music and lives in Brooklyn with her husband, son and Old English Sheepdog, Daisy.
Polish-American composer and conductor Martin Sedek (b. 1985) was born in Germany and raised in Poland and the United States. He is an award-winning voice in the world of choral and orchestral music, educated at Berklee College of Music in Boston (BM), Montclair State University (MM), and Rutgers University (PhD). Martin has studied composition with Tarik O'Regan, Robert Aldridge, and Matthew Harris, with additional studies with Steven Stucky, Chen Yi, and Steven Sametz; conducting with David Callahan and Julius Williams, with additional studies with William Weinert, Craig Hella Johnson, and Heather J. Buchanan. Martin is Composer-in-Residence at Harmonium Choral Society & The Baldwin Festival Chorus of NYC and is currently the Music Director and Conductor of Choral Art Society of NJ and Associate Conductor for The Masterwork Chorus. As a member of the choral and theory faculties at Montclair State University’s Cali School of Music, Martin is Assistant Conductor for the MSU Chorale and Visiting Professor of Music Theory. Composition awards include Yale Glee Club Emerging Composer Competition, NoteNova Publishing Choral Composition Contest, Boston’s Kalistos Ensemble, Ithaca College School of Music Choral Composition Contest, and Society of Composers International.