Saturday, January 27, 2018 - 8:00 pm - Mechanics Hall
Beethoven - Sonata Op. 13
Schubert - Sonata in B-Flat Major
Sonata No. 5, Op. 53; Etude Op. 65, No. 1; Etude in D-flat Major Op. 8, No. 10; Prélude Op. 59, No. 2; Poème Op. 32, No. 1
Adult: $39-$49 // Student: $17.50 // Youth: $7.50
*all price levels subject to order fees*
Garrick Ohlsson (born April 3, 1948 in New York) is an American classical pianist. Ohlsson was the first American to win first prize in the International Frédéric Chopin Piano Competition, in 1970. He also won first prize at the Busoni Competition in Italy and the Montreal Piano Competition in Canada. Ohlsson was awarded the Avery Fisher Prize in 1994 and received the 1998 University Musical Society Distinguished Artist Award in Ann Arbor, Michigan.
Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess. Although long regarded as one of the world’s leading exponents of the music of Frédéric Chopin, Mr. Ohlsson commands an enormous repertoire, which ranges over the entire piano literature. A student of the late Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire. To date he has at his command more than 80 concertos, ranging from Haydn and Mozart to works of the 21st century, many commissioned for him. This season that vast repertoire can be sampled in concerti ranging from Rachmaninoff’s popular Third and rarely performed Fourth, to Brahms Nos. 1 and 2, Beethoven, Mozart, Grieg and Copland in cities including Philadelphia, Atlanta, Detroit, Dallas, Miami, Toronto, Vancouver, San Francisco, Liverpool, and Madrid ending with a spring US West Coast tour with the St. Petersburg Philharmonic conducted by Yuri Temirkanov. In recital he can be heard in LA’s Walt Disney Concert Hall, New York, New Orleans, Hawaii and Prague.
"Garrick Ohlsson, playing without a score, dignified the piece [Busoni's piano concerto] with his phenomenal pianism—never self-servingly virtuosic—and equally phenomenal memory." - The Financial Times, August 26, 2012