Boston Philharmonic Orchestra
Friday, October 17, 2008
Mechanics Hall - 8:00 P. M. - Pre-Concert Talk 7 P. M.
Overview
The Boston Philharmonic’s vision radiates through the energy and passion of its players, under the distinguished and dynamic leadership of Benjamin Zander, and is manifest in the lively pre-concert talks when Mr. Zander unravels the meaning and shape of the music in the context of the composer’s era.
Joining the Orchestra in our Opening Night Concert is 13-year-old piano virtuoso, George Li, an already quite astonishingly celebrated young artist who won the World Piano Competition at age 9, followed by his debut with the Xiamin Philharmonic of China, and a performance at Carnegie Hall.
“Mr. Zander’s orchestra plays with exhilarating authority … superb sound … brilliant virtuosity.”
– New York Times
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Program
- Bartόk - Dance Suite
- Saint-Saёns - Piano Concerto No. 2
- Dvorak - Symphony No. 9, “From the New World”
The Boston Philharmonic may be 30 years old, but it is very young at heart,
and this program is absolutely bounding with youthful high spirits. First of
all, our soloist, thirteen year old George Li. When you see him walk out on
stage, diminutive of stature and slight of frame, you might well wonder how he
could make a piano heard above the sound of a full symphony orchestra. Nothing
prepares you for the torrential sound that he unleashes from the instrument,
without any apparent effort, nor for the uncanny maturity and subtlety of his
playing Saint-Saëns enormously popular Second Piano Concerto. This young boy
from Boston has already been a guest on prominent talk shows and featured in the
television series From the Top at Carnegie Hall. His performance of a Moszkowski
etude on the Martha Stewart Show can be seen on YouTube. To watch George on From
the Top at Carnegie Hall, visit pbs.org. Part of the thrill of hearing him play
in person is the certainty that one is present at the beginning stage of what
will be a major career.
The other works on the program continue this
theme of youthful promise. Bartók’s Dance Suite abounds in color, élan, and the
piquant melodic twists of Hungarian folk music. One can easily imagine its being
danced by a group of young, slightly tipsy Hungarian peasants (albeit rather
sophisticated Hungarian peasants). To conclude, the ever-youthful “New World”
Symphony of Dvo?ak, a paean to a country that was still growing and finding its
way. If you’re wondering what concert to bring your children to, this is it!