Artists

Apollo’s Fire

APOLLO’S FIRE
Ensemble

Tina Bergmann

APOLLO’S FIRE
Hammered Dulcimer

Chanticleer

CHANTICLEER
Ensemble

Chineke!

CHINEKE! ORCHESTRA
Ensemble

Dance Theatre of Harlem

DANCE THEATRE OF HARLEM
Ensemble

Sir Andrew Davis

MELBOURNE SYMPHONY ORCHESTRA
Conductor

Simone Dinnerstein

SIMONE DINNERSTEIN
Piano, Artist-In-Residence

Da’ Von Doane

DANCE THEATRE OF HARLEM
Principle Dancer

Kevin John Edusei

CHINEKE! ORCHESTRA
Conductor

Andy Einhorn

AUDRA MCDONALD
Piano

Yuri Favorin

SIBERIAN STATE SYMPHONY ORCHESTRA
Piano

Susanna Gilmore

APOLLO’S FIRE
Fiddle

Ross Hauck

APOLLO’S FIRE
Tenor, Vocals

JLCO

JAZZ AT LINCOLN CENTER ORCHESTRA
Ensemble

Brian Kay

APOLLO’S FIRE
Musician

Natalia Khoma

UKRAINE NATIONAL SYMPHONY
Cello

Vladimir Lande

SIBERIAN STATE SYMPHONY ORCHESTRA
Conductor

Gene Lewin

AUDRA MCDONALD
Percussion

Wynton Marsalis

JAZZ AT LINCOLN CENTER ORCHESTRA
Artistic Director, Trumpet

Audra McDonald

AUDRA MCDONALD
Singer, Actor

MSO

MELBOURNE SYMPHONY ORCHESTRA
Ensemble

Jessie Montgomery

DANCE THEATRE OF HARLEM
Violinist, Composer

Mark Mummert

THE WORCESTER CHORUS
Assistant Director, Organist

NSOU

NATIONAL SYMPHONY ORCHESTRA OF UKRAINE
Ensemble

Chi-chi Nwanoku

CHINEKE! ORCHESTRA
Founder, Double Bass

Garrick Ohlsson

GARRICK OHLSSON
Piano

Amanda Powell

APOLLO’S FIRE
Soprano, Vocals

Elena Radchenko

RUSSIAN NATIONAL BALLET
Artistic Director

René Schiffer

APOLLO’S FIRE
Cello

Claudia Schreier

DANCE THEATRE OF HARLEM
Choreographer

William Fred Scott

CHANTICLEER
Music Director

Chris Shepard

THE WORCESTER CHORUS
Artistic Director

SSSO

SIBERIAN STATE SYMPHONY ORCHESTRA
Ensemble

Ingrid Silva

DANCE THEATRE OF HARLEM
Principle Dancer

Volodymyr Sirenko

NATIONAL SYMPHONY ORCHESTRA OF UKRAINE
Conductor

Jeannette Sorrell

APOLLO’S FIRE
Artistic Director, Harpsichord

Kathie Stewart

APOLLO’S FIRE
Wooden Flutes & Penny Whistle

Ilya Yakushev

ILYA YAKUSHEV
Piano

Apollo's Fire

Named for the classical god of music and the sun, Apollo’s Fire was founded by its Artistic Director Jeannette Sorrell, to revive the baroque ideal that music should evoke the various Affekts or passions in the listeners. Apollo’s Fire is a collection of creative artists who share Sorrell’s passion for drama and rhetoric.

Hailed as “one of the pre-eminent period-instrument ensembles” (THE INDEPENDENT, London), Apollo’s Fire made its London debut in 2010 in a sold-out concert at Wigmore Hall, with a BBC broadcast. Subsequent European tours took place in 2011, 2014, and 2015. European performances include sold-out concerts at the BBC Proms in London (with live broadcast across Europe), the Aldeburgh Festival (UK), Madrid’s Royal Theatre, Bordeaux’s Grand Théàtre de l’Opéra, and major venues in Lisbon, Metz (France), and Bregenz (Austria), as well as concerts on the Birmingham International Series (UK) and the Tuscan Landscapes Festival (Italy). AF’s London concert in 2014 was chosen by the DAILY TELEGRAPH as one of the “Best 5 Classical Concerts of The Year.”

North American tour engagements include sold-out concerts at Carnegie Hall (2018), the Tanglewood Festival (2015 and 2017), the Ravinia Festival, the Metropolitan Museum of Art in NY (2013, 2014, and 2015), the Boston Early Music Festival series, and the Library of Congress, as well as concerts at the Aspen Music Festival, and major venues in Toronto, Los Angeles and San Francisco. The ensemble’s notable U.S. tours include two major tours of the Monteverdi Vespers (2010 and 2014); a 9-concert tour of the Brandenburg Concertos in 2013; and a semi-staged production of Monteverdi’s L’ORFEO in April 2018 (U.S. tour). Upcoming is an UK/Ireland tour in August 2018, including the Wexford Opera House, the National Concert Hall of Ireland (Dublin), and a return to the Aldeburgh Festival.

At home in Cleveland, Apollo’s Fire frequently enjoys sold-out performances at its subscription series, which has drawn national attention for creative programming.

Apollo’s Fire has released 26 commercial CDs and currently records for the British label AVIE. Since the ensemble’s introduction into the European CD market in 2010, the recordings have won rave reviews in the London press: “a swaggering version, brilliantly played” (THE SUNDAY TIMES) and “the Midwest’s best-kept musical secret is finally reaching British ears” (THE INDEPENDENT). Eight of the ensemble’s CD releases have become best-sellers on the classical Billboard chart: the Monteverdi Vespers, Bach’s Brandenburg Concertos & Harpsichord Concertos, a disc of Handel arias with soprano Amanda Forsythe titled “The Power of Love” (Billboard Classical #3, 2015), and Jeannette Sorrell’s four crossover programs: Come to the River – An Early American Gathering (Billboard Classical #9, 2011); Sacrum Mysterium – A Celtic Christmas Vespers(Billboard Classical #11, 2012); Sugarloaf Mountain – An Appalachian Gathering (Billboard Classical #5, 2015); and Sephardic Journey – Wanderings of the Spanish Jews (Billboard World Music Chart #2 and Billboard Classical #5, Feb. 2016); and Songs of Orpheus (Billboard Classical #5, 2018).

Tina Bergmann

APOLLO’S FIRE

Tina Bergmann is one of the world’s leading exponents of the instrument and was described by folk musician Pete Seeger as “the best hammered dulcimer player I’ve heard anywhere.” Playing in the aural tradition as a child, she made her solo debut at age 12 and led her first string band at age 16. Since then, she has been in demand at folk festivals and has performed as soloist with several symphony orchestras. Her contradance bands, Strings & Things and Hu$hmoney, have explored traditional American and Celtic music. She can be heard on the Apollo’s Fire CDs Come to the River, Scarborough Fayre, and Sacrum Mysterium: A Celtic Christmas Vespers.

Chanticleer

Named for the “clear-singing” rooster in Geoffrey Chaucer’s Canterbury Tales, Chanticleer was founded in 1978 by tenor Louis A. Botto, who sang in the Ensemble until 1989 and served as Artistic Director until his death in 1997. Chanticleer became known first for its interpretations of Renaissance music, and was later a pioneer in the revival of the South American baroque, recording several award-winning titles in that repertoire. Chanticleer was named Ensemble of the Year by Musical America in 2008, and inducted in the American Classical Music Hall of Fame the same year. William Fred Scott was named Music Director in 2014. A native of Georgia, Scott is the former Assistant Conductor to Robert Shaw at the Atlanta Symphony, former Artistic Director of the Atlanta Opera, an organist and choir director.

Chineke!

Chineke! was founded in 2015 by the double bass player, Chi-chi Nwanoku OBE, to provide career opportunities for young Black and Minority Ethnic (BME) classical musicians in the UK and Europe.

Chineke!’s mission is: ‘Championing change and celebrating diversity in classical music’.

The Chineke! Orchestra, the Foundation’s flagship ensemble, works closely with its sister ensemble, the Chineke! Junior Orchestra, a youth orchestra of BME players aged between 11 and 22, with senior players acting as mentors, teachers and role models to the young musicians.

In 2017, the Chineke! Orchestra made its BBC Proms debut at the Royal Albert Hall in August and performed at many other leading festivals throughout England, all to great critical acclaim. Chineke! has released two albums over the past year with more planned in 2019.

The Chineke! Ensemble comprises the principal players of the Chineke! Orchestra. It has performed in Manchester in 2017 and made its debut at Wigmore Hall in 2018 before going on to play at the Cheltenham and Ryedale festivals. In the autumn of 2018, the ensemble performed at the Tonbridge Music Club, Wimbledon International Festival, Cambridge Music Festival and at St George's Bristol.

Chineke!'s founder, Chi-chi Nwanoku OBE, says: ‘My aim is to create a space where BME musicians can walk on stage and know that they belong, in every sense of the word. If even one BME child feels that their colour is getting in the way of their musical ambitions, then I hope to inspire them, give them a platform, and show them that music, of whatever kind, is for all people.’

In the words of Sir Simon Rattle: ‘Chineke! is not only an exciting idea but a profoundly necessary
one. The kind of idea which is so obvious that you wonder why it is not already in place. The kind of idea which could deepen and enrich classical music in the UK for generations. What a thrilling prospect!’

Dance Theatre of Harlem

Now a singular presence in the ballet world, the Dance Theatre of Harlem Company tours nationally and internationally, presenting a powerful vision for ballet in the 21st century. The 17-member, multi-ethnic company performs a forward-thinking repertoire that includes treasured classics, neoclassical works by George Balanchine and resident choreographer Robert Garland, as well as innovative contemporary works that use the language of ballet to celebrate African American culture. Through performances, community engagement and arts education, the Company carries forward Dance Theatre of Harlem’s message of empowerment through the arts for all.

Sir Andrew Davis

MELBOURNE SYMPHONY ORCHESTRA

Sir Andrew Davis has served as Music Director and Principal Conductor of the Lyric Opera of Chicago since 2000. He began his tenure as Chief Conductor of the Melbourne Symphony Orchestra in January 2013. Through his prolific recordings, his many international tours, and guest appearances and relationships with several of the finest orchestras and opera companies in Europe, North America and Australia, Sir Andrew is one of today's most recognized and acclaimed conductors.

Maestro Davis's career spans over forty years in which he has been the artistic leader at several of the world's most distinguished opera and symphonic institutions, including the BBC Symphony Orchestra (Conductor Laureate and Chief Conductor from 1991-2004, the longest tenure since that of its founder Sir Adrian Boult), Glyndebourne Festival Opera (Music Director 1988-2000), and the Toronto Symphony Orchestra (Conductor Laureate and Principal Conductor from 1975-1988), where he serves as Interim Artistic Director through 2020. In addition, he holds the honorary title of Conductor Emeritus from the Royal Liverpool Philharmonic Orchestra. Sir Andrew has led performances at many of the world's most important opera houses, among them the Metropolitan Opera, Teatro alla Scala, Royal Opera House at Covent Garden, Bayreuth Festival, and the major companies of Munich, Paris, San Francisco, and Santa Fe. In addition to those ensembles, he has appeared with virtually every other internationally prominent orchestra, including the Berlin Philharmonic, Royal Concertgebouw Orchestra, Rotterdam Philharmonic, and all the major British orchestras.

A vast and award-winning discography documents Sir Andrew's artistry, with recent CDs including the works of Berlioz, Bliss, Elgar (winner of the 2018 Diapason d’Or de l’Année - Musique Symphonique), Finzi, Grainger, Delius, Ives, Holst, Handel (nominated for a Grammy in 2018 for Best Choral Performance), and York Bowen (nominated for a Grammy in 2012 for Best Orchestral Performance). He currently records for Chandos Records, where he has been an exclusive artist since 2009./p>

In 1992, Maestro Davis was created a Commander of the British Empire, and in 1999 he was designated a Knight Bachelor in the New Year Honours List. He was awarded an honorary doctorate by Knox College in Galesburg, Illinois..

Simone Dinnerstein

PIANIST

2018 was a banner year for Simone Dinnerstein, including a highly lauded recital at the Kennedy Center, her debut with the London Symphony Orchestra, a live recital for BBC’s Radio Three, and an ambitious season as the first artist-in-residence for Music Worcester, encompassing performances, school outreach, master classes, and lectures. Future highlights include a European tour with Kristjan Jarvi and the Baltic Sea Philharmonic and a residency in San Francisco with the New Century Chamber Orchestra including a collaboration with Daniel Hope and Lynn Harrell for the Beethoven Triple Concerto.

Known for her highly personal recital programs, she is increasingly branching out into interesting collaborations. Upcoming projects include performances conducting and leading from the keyboard with her newly-formed string ensemble Baroklyn; duo recitals with cellist Matt Haimovitz; and Portals: Travels through Time, a performance piece with violinist Tim Fain.

Dinnerstein spent 2018 touring Piano Concerto No.3, a piece that Philip Glass wrote for her as a co-commission by twelve orchestras. Circles, her world premiere recording of the concerto with Grammy-nominated string orchestra A Far Cry, topped the Billboard Classical charts. At their New York premiere, the New Yorker was “struck dumb with admiration” by this new addition to the piano concerto repertoire. She has performed the concerto in the U.S. and abroad, including performances alongside the co-commissioning orchestras. Future performances will be held in France, Germany, Italy, and Canada.

Dinnerstein released Mozart in Havana in 2017, recorded in Cuba with the Havana Lyceum Orchestra. She went on to bring the orchestra to the United States for their first ever American tour, which was received with tremendous enthusiasm and was featured in specials for PBS and NPR. Also in 2017, she collaborated with choreographer Pam Tanowitz to create New Work for Goldberg Variations, which was on the year-end top ten lists of critics at the New York Times and the Boston Globe. This project continues to tour and will be given a run of performances at New York’s Joyce Theater in 2019.

Dinnerstein first attracted attention in 2007 with her self-produced recording of Bach’s Goldberg Variations. It was a remarkable success, reaching No. 1 on the Billboard Classical chart in its first week of sales and was named to many "Best of 2007" lists including those of the New York Times, the Los Angeles Times, and the New Yorker. The recording also received the prestigious Diapason d’Or in France and established Dinnerstein’s distinctive and original approach. The New York Times called her “a unique voice in the forest of Bach interpretation.”

Since 2007, Dinnerstein has made a further eight albums with repertoire ranging from Beethoven to Ravel, all of which have topped the Billboard Classical charts. Dinnerstein’s performance schedule has taken her around the world. She has performed at venues including Carnegie Hall, Boston’s Symphony Hall, Vienna Konzerthaus, Berlin Philharmonie, Sydney Opera House, Seoul Arts Center, and London's Wigmore Hall; festivals that include the Lincoln Center Mostly Mozart Festival and the Aspen, Verbier, and Ravinia festivals; and performances with the Vienna Symphony Orchestra, Dresden Philharmonic, Staatskapelle Berlin, RAI National Symphony Orchestra, Royal Scottish National Orchestra, Czech Philharmonic, Danish National Symphony Orchestra, New York Philharmonic, Minnesota Orchestra, Atlanta Symphony, Baltimore Symphony, Montreal Symphony Orchestra, Melbourne Symphony Orchestra, Orquestra Sinfonica Brasileira, and the Tokyo Symphony.

Dinnerstein has played concerts throughout the U.S. for the Piatigorsky Foundation, an organization dedicated to bringing classical music to non-traditional venues. She gave the first classical music performance in the Louisiana state prison system at the Avoyelles Correctional Center and performed at the Maryland Correctional Institution for Women in a concert organized by the Baltimore Symphony Orchestra.

Dedicated to her community, Dinnerstein founded Neighborhood Classics in 2009, a concert series open to the public and hosted by New York public schools to raise funds for their music education programs. She also created a program called Bachpacking during which she takes a digital keyboard to elementary school classrooms, helping young children get close to the music she loves.

A winner of Astral Artists’ National Auditions, she is a graduate of The Juilliard School where she was a student of Peter Serkin. She also studied with Solomon Mikowsky at the Manhattan School of Music and in London with Maria Curcio. She is on the faculty of the Mannes School of Music and lives in Brooklyn with her husband, son, and Old English Sheepdog, Daisy.

Da' Von Doane

DANCE THEATRE OF HARLEM

Since 2011 DaVon has continued as a member of the Dance Theatre of Harlem ensemble where he has danced roles in Balanchines Glinka Pas de trois, Chrisopher Huggin’s In the Mirror Of her mind and Contested Space by Donald Byrd in the Ensembles Joyce season as well as Robert Garlands New bach and “Return”.

As a choreographer Da' Von has been commissioned by Periapsis Music and Dance and has choreographer works for The Thelma Hill performing Arts Center in Brooklyn and a collaborative project with The CUNY graduate program of Music.

Kevin John Edusei

CHINEKE!

Born in 1976 in Germany Edusei studied sound engineering (Tonmeister), classical percussion and orchestral conducting at the University of the Arts Berlin and the Royal Conservatory The Hague with Jac van Steen and Ed Spanjaard. In 2004 he was awarded the fellowship for the American Academy of Conducting at the Aspen Music Festival by David Zinman, in 2007 he was a prize-winner at the Lucerne Festival conducting competition under the artistic direction of Pierre Boulez, and in 2008 he won the International Dimitris Mitropoulos Competition.

Edusei was appointed Chief Conductor of the Munich Symphony Orchestra in 2014. He has been applauded for introducing an eclectic range of repertoire into the MSO concert programs and cultivating a loyal, trusting audience, and in recognition of these achievements the orchestra was awarded the Excellence Initiative of the German Federal Government in 2018. Edusei made his conducting debut at The Proms (an eight-week summer season of daily orchestral classical music concerts in London) with the Chineke! Orchestra in August 2017 and led its first commercial recording for the Signum label. In 2019 Edusei will lead the Munich Symphony Orchestra on its first tour of China and Korea.

As Chief Conductor at Bern Opera House, Edusei has led many new productions including Peter Grimes, Salome, Bluebeard’s Castle, Tannhäuser, Kátya Kábanová, a cycle of the Mozart Da Ponte operas - described in the press as “rousing and brilliant” - and Ariadne auf Naxos which led the Neue Zürcher Zeitung to describe him as “the discovery“ of the production. Elsewhere Edusei has conducted at the Semperoper Dresden (Mozart's Die Entführung aus dem Serail and Hindemith's Cardillac) and in 2018 he made his debut at the Hamburg State Opera. He has conducted Die Zauberflöte at the Volksoper Wien and Komische Oper Berlin where he has also conducted Don Giovanni. In 19/20 he makes his debut at the Hannover State Opera in a new production of Tosca and at English National Opera in a new production of The Marriage of Figaro.

Edusei has a varied discography, which includes recordings with the Bern Symphony Orchestra, Chineke! Orchestra and Tonkünstler Orchestra, and he is currently mid-way through a cycle of the complete Schubert symphonies with the Munich Symphony Orchestra.

Andy Einhorn

AUDRA MCDONALD

Leading Broadway music director and conductor, Andy Einhorn, directs concerts this year with the Baltimore Symphony Orchestra, National Arts Centre Orchestra, Tucson Symphony and the Vancouver Symphony Orchestra. Most recently he served as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly! Einhorn’s previous Broadway credits include Holiday Inn, Woody Allen’s Bullets Over Broadway, Rodgers + Hammerstein’s Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. Einhorn served as music director and conductor for the Châtelet Theatre’s production of Sondheim’s Passion in Paris and has twice led the New York Philharmonic conducting for Audra McDonald and Chris Botti, respectively.

Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The New York Philharmonic, the Boston Pops, The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for national telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein’s and Toronto’s Royal Conservatory of Music.

Recording credits include Audra McDonald's Sing Happy with the New York Philharmonic, Carousel featuring Renee Fleming, Hello Dolly! featuring Bette Midler, Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald’s Go Back Home. He served as the music director for HBO’s Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS.

Andy Einhorn is an honors graduate of Rice University in Houston, Texas.

Yuri Favorin

SIBERIAN STATE SYMPHONY ORCHESTRA

Yury Favorin was born in Moscow in 1986. Even as a child, he exhibited an extraordinary ability for music (ear and memory). At the age of five he began learning the piano and recorder. At six, he knew Beethoven's 5th Symphony, Tchaikovsky's 1st and 4th Symphonies, and distinguished conductors and performers correctly. He was eight when he entered the Gnesin Specialized Musical Primary School in Moscow, where he learned the piano under Professor Lidiya Grigorieva, the clarinet under Professor Ivan Mozgovenko, and composition under Professor Vladimir Dovgan, a famous Russian composer.

In 2004 Yury entered the Tchaikovsky Moscow State Conservatory to study the piano under Professor Mikhail Voskresensky. He also studied the composition with Karen Khachaturyan and chamber ensemble with Alexander Rudin. Yury graduated from the Conservatory summa cum laude in 2009.

Currently, Yury is a postgraduate student at the Moscow State Conservatory. He has taken an active part in numerous musical festivals, such as the Festival “La Folle Journée” in Nantes (France) and in Tokyo (Japan), “Musique en Vallée du Tarn” (France), “L'esprit du piano” in Bordeaux (France), Guangzhou und Beijing (China), International Festival of Saint-Lizier (France), the J.S. Bach Festival, the O. Messiaen Festival, the “Steinway Parade”, Musical Forum “Magic of Piano” (Belarus), Festival “Art November”, and the “Gradus ad Parnassum” Piano Festival in Moscow, the “Moscow Forum” (International Festival for Contemporary Music), “Moscow Autumn”, and International Festival-School “TERRITORIYA”. Together with composer Alexey Sysoev (electronics) and Dmitry Schielkin (percussion) Yury has built the ensemble of free improvisatory music.

Yury gives recitals in many countries—Germany, Austria, Norway, Hungary, France, Italy, Sweden, Polen, Japan, Netherlands, and Belgium among them. He also gives charity concerts for sick children (Moscow), war children (Vienna), and the disabled (Vienna). Yury is a member of the "Freundes- und Förderkreises des Händel-Hauses zu Halle e.V." (Germany). Yury worked together with Pierre Boulez, Marin Alsop, Pool Goodwin, Tadeusz Żmijewski, Arkady Berin, Kazuhiro Koizumi, and other leading conductors. Marc Coppey, Gérard Caussé, François Salque, Boris Berezovsky, David Lively, Alexander Rudin, Alexander Gindin, Marina Drozdova are among his partners on the stage. He took part in masterclasses with Dmitri Bashkirov, Sergei Babayan, Diana Ketler, Marios Papadapoulos, Paul Badura-Skoda, Irina Kataeva, Stephen Kovacevich, Ferenc Rados, and Noel Flores. Yury was a participant at the International Summer Academy “Praha—Vienna—Budapest” (2003), the Academy of the Festival Verbier (Swiеzerland, 2011), the International Holland Music Sessions (TIHMS) (the Netherlands, 2011), the International Summer Academy in Oxford (2012), and the International Summer Academy Mozarteum in Salzburg (2012). He gives concerts at the most prestigious concert halls—the Big, Small and Rakhmaninov's Halls of the Moscow Conservatory, the Tchaikovsky Concert Hall of the Moscow Philarmonic Society, Moscow International Performing Arts Center (House of Music), the House of Composers in Moscow, Cite de la musique (Paris, France), Palais des beaux arts (Brussels, Belgium), Tokyo International Forum (Japan), Beijing Concert Hall (China), and others.

Yury is the winner of the First Prize of the Gyorgy Cziffra Foundation (Vienna, 2003), and is a laureate of many Russian and International Competitions

Susanna Gilmore

APOLLO’S FIRE

Susanna Gilmore enjoys a multifaceted career as solo artist, chamber and orchestral musician. She is concertmaster of the Omaha Symphony, a position she previously held with the Memphis Symphony for fifteen years. Her chamber music performances have been featured on National Public Radio’s Performance Today, A Prairie Home Companion and America’s Music Festivals. Her recent classical solo performances include Jennifer Higdon’s The Singing Rooms (for violin, choir and orchestra) in Paris at the invitation of Ms. Higdon, as well as Vivaldi’s Four Seasons and Prokofiev and Korngold violin concertos with the Omaha Symphony. She holds a Bachelor’s degree in music from Oxford University (UK) and a Master’s degree in violin performance from the New England Conservatory (Boston). She learned to play Celtic fiddle in her youth through sitting in on Irish sessions during her years in Nashville and England, and for several years performed regularly with the Memphis-based Irish band Planet Reel.

Ross Hauck

APOLLO’S FIRE

Ross Hauck grew up in Ohio, but currently lives in Seattle with his wife and four children. He specializes in early music, sacred oratorio, and premieres of new works. A regular with Apollo’s Fire, Mr. Hauck has been heard as a soloist in Messiah, as Tamino in The Magic Flute, and as Johnny in the Come to the River tour, as well as being featured in the 2012 and 2013 Irish Countryside Concerts and Sugarloaf Mountain. He has sung with the symphonies of Seattle, Dallas, Phoenix, Chicago, Baltimore, Portland, Grand Rapids, Kansas City, and the National Symphony. An alumnus of Cincinnati Conservatory of Music, he undertook further training at the Tanglewood, Ravinia, and Aspen Festivals and at the Wolf Trap Opera Company. He can be heard on the AVIE label on the Apollo’s Fire recording of Messiah and on the Naxos label in the world premiere of the song cycle Vedem by Lori Laitman. He is also a cellist and serves as a professor of voice on the faculty of Seattle University. He frequently programs sacred concerts for churches and Christian universities, and leads an arts ministry at his church in the Northwest.

Jazz at Lincoln Center Orchestra

The Jazz at Lincoln Center Orchestra, led by Wynton Marsalis, is made up of 15 of the finest soloists, ensemble players, and arrangers in jazz music today.

Brian Kay

APOLLO’S FIRE

Brian Kay is a modern-day troubadour. He holds a Master’s degree in music from Peabody Conservatory of the Johns Hopkins University, where he studied lute and theorbo. He specializes in historical plucked instruments and ancient songs of various world traditions. He is a songwriter and poet, and also paints and plays a variety of percussion and wind instruments. Cleveland Classical.com called him “far-ranging,” “brilliant,” and “exciting,” and Early Music America called his work “phenomenal.” His newest album, Three Ravens, was released in January 2015.

Natalia Khoma

UKRAINE NATIONAL SYMPHONY

Natalia Khoma is an internationally renowned cellist. Since winning the All-Ukrainian competition, Khoma has won top prizes at the Budapest Pablo Casals International Competition, Markneukirchen Competition in Germany, and the Tchaikovsky International Competition in Moscow, as well as First Prize at the Belgrade International Cello Competition.

A native of Lviv, Ukraine, Ms. Khoma studied for eight years at the Moscow Conservatory and in the United States, received an Artist Diploma from Boston University. The first and only Ukrainian cellist to become a laureate of the Tchaikovsky Competition, Natalia Khoma has since distinguished herself as a recitalist and soloist with orchestras throughout Russia, as well as the U.S., Canada, South America, Germany, Norway, Belgium, Italy, France, Spain, Switzerland, Eastern Europe, South Africa and the Middle and Far East. She has performed as a soloist with such leading ensembles as the Berlin Radio Orchestra, Moscow Radio Orchestra, Belgrade Philharmonic Orchestra, Budapest Philharmonic Orchestra, Ukrainian National State Symphony Orchestra, Johannesburg Philharmonic Orchestra, Chamber Ensemble of New York City Symphony Orchestra, Franz Liszt Chamber Orchestra and has had solo recitals in Tchaikovsky Hall (Moscow), Carnegie Hall (New York), Jordan Hall (Boston), Schauspielhaus (Berlin), Palais des Beux Arts (Brussels), Amphitheatre Richelieu de la Sorbonne, Salons de Boffrand de la Presidence du Senat (Paris), Philharmonic Big Hall of Columns (Kyiv) and in a host of countries across the globe.

She is often invited to appear at international festivals in Switzerland,Germany, Spain, Canada, Ukraine and the U.S. among others. Natalia Khoma has been hailed around the world as “technically dazzling”, “intense, brilliant, and with perfect structure”. She also has been praised for “the precision of her executions, Slavic Zen, full warm cello tone....and, what a drive!” Natalia made her first public appearance on TV at age ten and performed her first concerto with orchestra at age thirteen. Ms. Khoma has been a Professor at the Lviv Conservatory in Ukraine, Roosevelt University College of Music in Chicago, Michigan State University and was a visiting Professor of the University of Connecticut School of Music. In 2010 Natalia was featured on a Grammy nominated CD for the Dorian Sono Luminus label. She has also recorded for NHK-TV (Japan), Naxos, TNC/Cambria, Blue Griffin, IMP, Dorian, Centaur and Ongaku labels, as well as for Ukrainian, Russian, German, Spanish, Serbian, Israeli and Hungarian Radio and Television and has appeared on WNYC-FM in New York, WGBH-FM in Boston and CKWR in Ontario (Canada).

Natalia Khoma is an Honorary Professor of Lviv State Academy of Music, Odesa State Music Academy and Tchaikovsky National Music Academy of Ukraine (Kyiv Conservatory). For several years she played on famous Stradivarius cello.

In 2011 she was appointed Artistic Advisor of the Music and Art Center of Greene County, New York. Natalia serves as organizer of the Children and Music Foundation, which provides musical training, instruments and financial aid to young, gifted Ukrainian students in need.In addition to her performing activities, Natalia is an Associate Professor of cello at the College of Charleston in Charleston, SC and Director of the Charleston Music Fest

Vladimir Lande

SIBERIAN STATE SYMPHONY ORCHESTRA

Russian-American conductor Vladimir Lande is the Music Director and Conductor of the Siberian State Symphony Orchestra (Krasnoyarsk, Russia). In 2008, Maestro Lande was appointed principal guest conductor of the St. Petersburg State Symphony, and in 2011 he led the orchestra on a 24-concert "Tour of the Americas” including New York’s Alice Tully Hall, Boston’s Symphony Hall, Philadelphia’s KimmelCenter, Baltimore’s Meyerhoff Hall, and the Society of the Performing Arts in Houston, as well as the most prestigious venues in Mexico, Argentina, Brazil, Ecuador, Costa Rica, Peru, Chile and Uruguay.

A graduate of the St. Petersburg Conservatory and a former student of the renowned professor Gustav Maier, Maestro Lande enjoys a remarkable career as principal and guest conductor of major orchestras including the St. Petersburg State Symphony Orchestra, Novosibirsk Philharmonic Orchestra, Lithuanian National Symphony Orchestra, the Baltimore Symphony, the National Gallery Orchestra (in Washington D.C. and on a U.S. tour), the Tulsa Symphony Orchestra, the National Symphony Orchestra of Peru, the National Philharmonic Orchestra of Argentina, Orchestra Sinfonica di Roma, Naples Philharmonic Orchestra (Florida) the Baltimore Opera Orchestra, and many more.

Maestro Lande actively tours with various orchestras; his most recent notable tours include Central and South America, United States, South Korea, and Europe. He is also Music Director and Conductor of Washington (DC) Soloists Chamber Orchestra.

Vladimir Lande boasts an extraordinary recording career. His recordings received high critically acclaim and numerous awards, such as the Clef d’Or Global Music Award and the Award of the German Classical Music Critics Association. His CDs of Schubert’s Unfinished and Great Symphonies were released on Brilliant Classics in the summer of 2011, and his CD of American composer James Aikman's music was released on Naxos. Other notable recordings include works by Respighi and Castelnuovo-Tedesco as well as contemporary works for the Parma label. Currently, Maestro Lande is in the process of recording a 17 CD cycle of the complete symphonic works of Soviet composer Mieczslaw Weinberg, whose centennial will be celebrated in 2019. Maestro Lande is an expert and active champion of contemporary music, having recorded more than 30 CDs of contemporary compositions.

Vladimir Lande's vision for contemporary music crosses genre boundaries in such ground-breaking projects as "Concerto for Chef and Orchestra," and, in collaboration with the perfume industry in France, "The Fragrance of Sound."

In June of 2011 Maestro Lande successfully launched a series of video recordings for Naxos titled "Concerts from the Palaces of St. Petersburg.” His future plans include multiple high-definition video projects with the Siberian State Symphony Orchestra.

Maestro Lande divides his time between Russia and the USA when not on tour.

Gene Lewin

AUDRA MCDONALD

Gene Lewin hails from Princeton, NJ. He is the one who plays drums for the band, and even sings. He has a good taste in jazz and rock music, and has done his masters from Manhattan School of Music. His is a gifted drummer who has been a part of almost all Groovelily performances. He has worked on numerous jazz projects and also made efforts to be an excellent singer and songwriter. He is a drummer, singer and composer for a trio that has done many successful shows together for more than 16 years. This band has toured extensively in U.S and Canada. They perform musical theatres with a blend of songs, story and concert.

Wynton Marsalis

Trumpet

Wynton Marsalis is an internationally acclaimed musician, composer and bandleader, an educator and a leading advocate of American culture. He has created and performed an expansive range of music from quartets to big bands, chamber music ensembles to symphony orchestras and tap dance to ballet, expanding the vocabulary for jazz and classical music with a vital body of work that places him among the world’s finest musicians and composers.

Always swinging, Marsalis blows his trumpet with a clear tone, a depth of emotion and a unique, virtuosic style derived from an encyclopedic range of trumpet techniques. When you hear Marsalis play, you’re hearing life being played out through music.

Marsalis’ core beliefs and foundation for living are based on the principals of jazz. He promotes individual creativity (improvisation), collective cooperation (swing), gratitude and good manners (sophistication), and faces adversity with persistent optimism (the blues). With his evolved humanity and through his selfless work, Marsalis has elevated the quality of human engagement for individuals, social networks and cultural institutions throughout the world.

Claudia Schreier

DANCE THEATRE OF HARLEM

Claudia Schreier has been praised for her distinctive choreographic voice, which fuses neoclassical technique with a contemporary vocabulary. Born in New York, Ms. Schreier trained at the Ballet School of Stamford under the direction of Stephanie Marini and received a B.A. in Sociology and Secondary Degree in Dramatic Arts from Harvard University in 2008.

Ms. Schreier's most recent awards include the 2018 Princess Grace Award for Choreography, the 2018 NEFA National Dance Project Award, the 2018 Dance/NYC Dance Advancement Fund supported by the Ford Foundation, and the 2017 Lotos Foundation Prize for Dance.

Ms. Schreier has choreographed over 25 ballets including the premiere of Passage for Dance Theatre of Harlem (co-commissioned by the Virginia Arts Festival and the Kennedy Center).

She is the Artistic Director of Claudia Schreier & Company, which since 2015 has presented several full-evening performances of her choreography featuring dancers from New York City Ballet, American Ballet Theatre, Miami City Ballet and Dance Theatre of Harlem, among other leading companies, and collaborations with composers and musicians, including Emmy Award-winning composer Jeff Beal, Juilliard composer Will Stackpole, and chamber choir Tapestry.

Her TEDx talk "Thinking On Your Feet," was presented at Columbia University.

Audra McDonald

Audra McDonald is unparalleled in the breadth and versatility of her artistry, as both a singer and an actress. The winner of a record-breaking six Tony Awards, two Grammy Awards, and an Emmy Award, she was named one of Time magazine’s 100 most influential people of 2015 and received a 2015 National Medal of Arts – America’s highest honor for achievement in the arts – from President Barack Obama. Blessed with a luminous soprano and an incomparable gift for dramatic truth telling, she is as much at home on Broadway and opera stages as she is in roles on film and television. In addition to her theatrical work, she maintains a major career as a concert and recording artist, regularly appearing on the great stages of the world.

Melbourne Symphony Orchestra

The Melbourne Symphony Orchestra is a leading cultural figure in the Australian arts landscape, bringing the best in orchestral music and passionate performance to a diverse audience across the nation and around the world.

Each year the MSO engages with more than 5 million people through live concerts, TV, radio and online broadcasts, international and regional tours, recordings and education programs.

Under the spirited leadership of Chief Conductor, Sir Andrew Davis, the MSO is a vital presence, both onstage and in the community, in cultivating classical music in Australia. The Orchestra is internationally acclaimed, nurturing strong cultural partnerships throughout South East Asia. The MSO is the only Australian orchestra partnered with UNITEL, the world’s leading distributor of classical music programs for film, television and video.

The MSO regularly attracts great artists from around the globe; including Anne-Sophie Mutter, Lang Lang, Renee Fleming and Thomas Hampson, while bringing Melbourne’s finest musicians to the world through tours to China, Indonesia, Europe and the United States.

The nation’s first professional orchestra, the Melbourne Symphony Orchestra has been the sound of the city of Melbourne since 1906. The MSO was the first Australian orchestra to perform overseas (1965) and the first to debut at Carnegie Hall (1970).

From its home at Hamer Hall, Arts Centre Melbourne, to free summer concerts at Melbourne’s largest outdoor venue, the Sidney Myer Music Bowl, to its Secret Symphony performances at unique inner-city locations, the MSO evolves and inspires a broad range of audiences with more than 160 concerts a year.

Committed to shaping and serving the city it inhabits, the MSO regularly reaches beyond the customary classical audience by collaborating with artists such as Professor Brian Cox, Nick Cave, Flight Facilities, Kate Miller-Heidke, Tim Minchin and Laura Mvula.

As a national ambassador for the arts and a champion of music education, the MSO campaigns for the rights of all people to access and learn music. Boasting carefully curated education programs, a regional touring schedule, accessible concerts and free community events, the MSO provides opportunities for all music lovers to be involved with the Orchestra, no matter their age or location.

Jessie Montgomery

DANCE THEATRE OF HARLEM

Jessie Montgomery is a violinist, composer and music educator from New York City. She performs and gives workshops in the US and abroad and her compositions are being performed by orchestras and chamber groups throughout the country.
Since 1999, Jessie has been affiliated with The Sphinx Organization, which supports the accomplishments of young African-American and Latino string players. As a member of the Sphinx network she has played numerous roles within the organization, as a teacher, juror, orchestra member and concertmaster, panelist and ambassador, as well as being a two-time laureate in their annual competition. Jessie was also Composer-in-Residence with the Sphinx Virtuosi, a conductor-less string orchestra which toured her music for 3 seasons.

In fall 2018, Jessie became a Virginia B.Toulmin Fellow at the Centre for Ballet and the Arts, where she completed work on a new ballet for Dance Theater of Harlem and the Virginia Arts Festival, in collaboration with choreographer Claudia Schreier.

Mark Mummert

WORCESTER CHORUS

Mark Mummert is Cantor at Trinity Lutheran Church, Worcester, MA where he leads the worship music of the congregation, conducts the Trinity Choir, the Trinity Choristers, the Trinity Bells, and is the Artistic Director of the Music at Trinity fine arts series. Mark is also Artistic Director of Diamonds From The Dust, a professional vocal ensemble based in Worcester and Assistant Director / Accompanist for the Worcester Chorus, directed by Dr. Chris Shepard.

Prior to moving to Massachusetts in 2016, he was the 2015 Distinguished Visiting Cantor at the Lutheran Theological Seminary at Gettysburg, now United Lutheran Seminary. He was Director of Worship at Houston’s Christ the King Lutheran Church, the home of Bach Society Houston (2008-2015). He was the
Seminary Musician at the Lutheran Theological Seminary at Philadelphia, now United Lutheran Seminary, (1990-2008) where he led the music for the daily chapel, conducted the Seminary Choir, and taught courses in hymnology, liturgical practice, and church music.

As an organist, Mark has appeared at the conventions of the Societas Liturgia in Würzburg, Germany, the National conventions of the Evangelical Lutheran Church in Canada and the Evangelical Lutheran Church in America, the Association of Lutheran Church Musicians, the Institute of Liturgical Studies at Valparaiso University, and the American Guild of Organists (AGO). He is the Dean of the Worcester Chapter of the AGO. Mark’s recording Reformation Chorales Reformed including organ works by Bach,
Mendelssohn, Distler, and Clarke was released in March 2017. Mark appears in an organ recital in Ellison Bay, Wisconsin and at evensongs at the cathedrals of Worcester, Coventry, Gloucester, and St. Paul’s London in the summer of 2019 with Worcester Masterworks Chorale.

Mark is a composer of the first musical setting of Holy Communion in Evangelical Lutheran Worship (2006), the commended worship book of the Evangelical Lutheran Church in America. Augsburg Fortress publishes his numerous psalm settings and other works for the liturgy.

As a choral conductor, Mark led the Christ the King Lutheran Church Choir tour throughout Latvia, Lithuania, Estonia, Finland, and St. Petersburg, Russia (2013). His conducting of Arvo Pärt’s Passio in 2016 and the North American premiere of Robert Koolstra’s reconstruction of J. S. Bach’s St. Mark Passion in 2017 in Worcester has been highly praised by his peers. In 2019, Mark produced and served as organist for the New England premiere of James MacMillan’s St. Luke Passion with the Trinity Choir, Worcester Polytechnic Institute’s Festival Chorus, and the Worcester Children’s Chorus to a capacity crowd on Palm Sunday at Trinity Church in Worcester, with Dr. Joshua W. Rohde conducting. In April of 2020, Mark conducts J. S. Bach’s beloved St. Matthew Passion on Palm Sunday with the Trinity Choir and
Orchestra and Diamonds From The Dust.

As a professional singer, Mark has performed with the Lincoln Center Mostly Mozart Festival, Worcester Chorus, Choral Arts Society of Philadelphia, the Bach Choir Houston, Houston Chamber Choir, CONCORA (Connecticut Choral Artists) and St. John’s Schola Cantorum. Mark studies voice with Jane Shivick.

Artistic management for Mark is provided by Seven Eight Artists.

National Symphony Orchestra of Ukraine

Formed by the Council of Ministers of Ukraine in November of 1918, the National Symphony Orchestra of Ukraine is considered to be one of the finest symphony orchestras in Eastern Europe. Its first conductor was Oleksander Horilyj. Natan Rachlin was the Artistic Director of the Orchestra from 1937 until 1962. Stefan Turchak, Volodymyr Kozhuchar, Fedir Hlushchenko, Igor Blazhkov and Theodore Kuchar consequently conducted the Orchestra as its Principal Conductors. Other conductors who worked with the NSOU include Leopold Stokowski, Igor Markevitch, Kurt Sanderling, Evgeny Mravinsky, Kiril Kondrashin, Evgeny Svetlanov, and Gennady Rozhdestvensky. Soloists who performed with the NSOU include Artur Rubinstein, Yehudi Menuhin, Isaac Stern, David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Emil Gilels, Leonid Kogan, Gidon Kremer, OlehKrysa, Monserrat Caballe, Jose Carreras, and Juan Diego Flores.

The NSOU was entrusted with the premier performances of the works of the following composers: Sergei Prokofiev, Dmitri Shostakovich, Aram Khatchaturian, Boris Lyatoshynsky, Valentyn Silvestrov, Myroslav Skoryk, and Evgen Stankovych.

The Orchestra has gained international recognition over a remarkably short period of time. After an appearance in Moscow, Dmitri Shostakovich commented: “This orchestra has as distinguished a group of performers as one would be likely to find anywhere. The ensemble of the orchestra is of the highest level. In addition, the various soloists and instrumental groups within the Orchestra play exceptionally and complement each other beautifully – as would the greatest of the world’s symphony orchestras.”

Since 1993, the NSOU has released more than 100 sound recordings which include both Ukrainian and international repertoires. Most of these recordings have received the highest international acclaim. In 1994, the Australian Broadcasting Company (ABC) rated NSOU’s recording of Boris Lyatoshynsky’s Symphonies No. 2 and No. 3 as “The Best Recording of the Year.” The CD of Silvestrov’s “Requiem for Larissa” was nominated for a Grammy Award in 2005. The CD of Bloch and Lees’ Violin Concertos was nominated for a Grammy Award four years later.

The NSOU has performed in successful concert tours throughout Australia, Austria, Bahrain, Belgium, Belarus, China, the Czech Republic, Denmark, France, Germany, England, Hong Kong, Iran, Italy, Japan, Kazakhstan, Lebanon, the Netherlands, Oman, Poland, Portugal, Russia, Slovakia, Spain, Switzerland, and the United Arab Emirates.

“... A program rich with energy and unusually adventurous placed the National Symphony Orchestra of Ukraine in a highly favourable light when it gave its only Sydney concert during its Australian tour on Friday. This is an orchestra with many virtues. Its strings can conjure up a vibrant songfulness; the woodwinds have a fruity, penetrating ripeness; the brass could endanger the walls of Jericho; the percussion might wake the dead...” ~The Sydney Morning Herald

Since April of 1999, Volodymyr Sirenko has been the Artistic Director and Chief Conductor of the NSOU. Since June of 2006, Alexander Hornostai has been its Managing Director and Producer.

Chi-chi Nwanoku

CHINEKE!

An ex-sprinter and half the size of her double bass, Chi-chi Nwanoku has gained a reputation as one of the finest exponents of her instrument today.

The eldest of five children from Nigerian and Irish parents, Chi-chi was seven when she discovered the piano at a neighbour’s. She returned to their house daily to play until the neighbours got so fed up they wheeled the piano up the road and gave it to her! Meanwhile, she was spotted by an athletics coach and trained as a 100-metre sprinter, eventually competing at National level. This career ended abruptly due to a knee injury aged 18, which is when (and why) she took up the double bass and actively pursued a career in music. She studied at the Royal Academy of Music and with Franco Petracchi in Rome, and soon found herself in demand internationally.

Chi-chi is the Founder, Artistic and Executive Director of the Chineke! Foundation, which supports, inspires and encourages Black and Minority Ethnic (BME) classical musicians working in the UK and Europe. The Chineke! Foundation celebrates diversity in the classical music industry through its two orchestras, the Chineke! Orchestra and Chineke! Junior Orchestra, as well as its educational and Community engagement work. Ultimately, the Chineke! Foundation aims to give classical BME musicians a platform on which to excel, and by such methods increase the representation of BME musicians in British and European orchestras.

Chi-chi was a founder member of the Orchestra of the Age of Enlightenment and held the position of Principal double bass there for 30 years. She is Professor of Double Bass Historical Studies at the Royal Academy of Music, where she was made a Fellow in 1998.

Chi-chi’s range of musical interests have resulted in a broad career performing and recording in a diversity of styles from authentic baroque through to 21st century and new commissions, with many of Europe’s leading chamber orchestras and ensembles. Some of her notable chamber recordings include Schubert’s Trout Quintet (recorded three times), and Octet, Beethoven Septet, Hummel Piano quintet and Boccherini Sonatas. Her solo recording of Dittersdorf and Vanhal Concertos with the Swedish Chamber Orchestra (Hyperion) received critical acclaim.

In 2012 Barrie Gavin directed a documentary film about Chi-chi’s career, called Tales from the Bass Line.

As a broadcaster, Chi-chi presented BBC Radio 3 Requests for four years, she guests for the TV Proms and was Jury member of BBC 2 TV Classical Star. She presented a two-part series for BBC Radio 4 in 2015 which brought to life the stories and music of black composers and musicians from the 18th century, whose vivid presence on the classical music scene have slipped through the net. Chi-chi was also the ‘mentor’ for the 2016 BBC 4 TV series All Together Now, the Great Orchestra Challenge. Chi-chi is featured in the BBC Radio 4 series Only Artists, and was Kirsty Young’s guest on BBC Radio 4, Desert Island Discs in February 2018.

Chi-chi is a trustee of the London Music Fund, Tertis Foundation a Council Member of the Royal Philharmonic Society. She served on the board of the Association of British Orchestras (ABO) from 2008–13 and National Youth Orchestra of Great Britain 2000-18. She created the ABO/RPS Salomon Prize, which celebrates the ‘unsung heroes’ working in the ranks of British orchestras.

Chi-chi was awarded the OBE for Services to Music in 2017 and the MBE in the 2001 Queen’s Birthday honours. She was one of the 100 – Happy List in the Independent on Sunday 2011. In 2016 she was appointed as an Honorary Fellow of Trinity Laban Conservatoire in recognition of her ‘pioneering contribution to music, in particular the inspiration she provides, the commitment she has shown, and the contribution she has made to addressing inequalities within classical music in the UK, most recently through the Chineke! Foundation’.

Chi-chi was awarded the Black British Business Awards, Person of the Year 2016 and was the recipient of the ABO Award 2017, which is awarded for ‘the most important contribution to the orchestral life of the UK’. She was named in the Top 10 of the BBC Woman’s Hour, Women in Music Power List 2018 and, in 2018, was awarded the inaugural Commonwealth Cultural Enterprise Award for Women in the Arts at the Commonwealth Business Women’s Awards. Also in 2018 Chi-chi was made an Honorary Doctor Music at the University of Chichester. She is featured in the Royal Academy of Music exhibition ‘Hitting the Right Note: Amazing Women of the Academy’. She was awarded the Creative Industries Award at the Variety Catherine Awards 2018 and shortlisted for the Groucho Maverick Award. Chi-chi was voted to the ‘Powerlist of Britain’s 100 Most Influential Black People 2019.

Garrick Ohlsson

Piano

Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial interpretive and technical prowess. Although long regarded as one of the world’s leading exponents of the music of Frédéric Chopin, Mr. Ohlsson commands an enormous repertoire, which ranges over the entire piano literature. A student of the late Claudio Arrau, Mr. Ohlsson has come to be noted for his masterly performances of the works of Mozart, Beethoven and Schubert, as well as the Romantic repertoire.

A frequent guest with the orchestras in Australia, Mr. Ohlsson has recently visited Perth, Brisbane, Melbourne, Sydney, Adelaide and Hobart as well as the New Zealand Symphony in Wellington and Auckland. An avid chamber musician, Mr. Ohlsson has collaborated with the Takacs, Cleveland, Emerson, and Tokyo string quartets, among other ensembles.

Amanda Powell

APOLLO’S FIRE

Amanda Powell has been praised for her “abundant vocal technique and infectious spirit” (ClevelandClassical.com) and enjoys a diverse career in the realms of classical, folk, and jazz. She holds a Bachelor’s degree in vocal performance from Shenandoah Conservatory and a certificate in jazz improvisation from the Jazz in July Institute (University of Massachusetts). Ms. Powell’s solo performances with Apollo’s Fire in recent seasons have included Handel’s Messiah (mezzo soloist), Mozart’s The Magic Flute (Second Lady), Praetorius Christmas Vespers (soprano soloist), and Liza Jane in the 2013 national tour of the acclaimed Come to the River program. Her work as an internationally recognized leader in the field of sacred world music has taken her to concert halls in Italy, Spain, France, Mongolia and China. Her debut solo album, entitled Beyond Boundaries, was released in 2015 and quickly sold out on Amazon. The album explores folk and jazz traditions of cultures around the world. Amanda spent her childhood summers riding through the Blue Ridge Mountains in the back of her grandpa’s pickup truck and later lived in the Shenandoah Valley, within sight of Sugarloaf Mountain.

Elena Radchenko

RUSSIAN NATIONAL BALLET

In 1994, the legendary Bolshoi principal dancer Elena Radchenko was selected by Presidential decree to assume the first permanent artistic directorship of the company. Ms. Radchenko is the founder of the Russian National Ballet, focusing on upholding the grand national tradition of the major Russian ballet works and developing new talents throughout Russia, with a repertory of virtually all of the great full works which continue to enlighten, inspire, and entertain audience across the continent.

René Schiffer

APOLLO’S FIRE

René Schiffer is a composer in historical styles as well as a leading baroque cellist in the international early music scene. A protégé of the great baroque cellist Anner Bijlsma, he toured internationally for 16 years as a member of La Petite Bande under Sigiwald Kuijken. He has also performed with the Amsterdam Baroque Orchestra (Ton Koopman), Les Musiciens du Louvre (Marc Minkowski), and in over 50 projects with Tafelmusik (Toronto). His compositions and reconstructions in historical styles have been performed by orchestras in North America, Europe and Australia, and appear on several Apollo’s Fire CD recordings. He can be heard on the Harmonia Mundi, Philips, Virgin Classics, Erato, Sony and AVIE labels.

William Fred Scott

CHANTICLEER

William Fred Scott was named Music Director in 2015. He is the fifth music director for Chanticleer, and the graduate of Georgetown University’s School of Foreign Service has been involved in music for more than 40 years. He was the artistic director and principal conductor of the Atlanta Opera from 1985-2005 and associate conductor of the Atlanta Symphony Orchestra from 1981-88.
Scott spent five years as director of choral music at the Westminster Schools in Atlanta before joining Chanticleer and is a well-known organist. His family has a long history with the Thomasville Entertainment Foundation, which brought Chanticleer to the TCA as part of its 80th season. His grandfather was one of the first supporters of the TEF.

Chris Shepard

WORCESTER CHORUS

Artistic Director of the Worcester Chorus since 2009, Chris also serves as Artistic Director of the Connecticut Choral Artists (CONCORA) in Hartford and the Masterwork Chorus of New Jersey. His choirs have collaborated with a number of orchestras, such as the Juilliard Orchestra, the Orquestra Sinfónica Nacional de Mexico and the Hartford Symphony Orchestra, in venues that include Carnegie Hall, Lincoln Center and Radio City Music Hall in New York, as well as the Royal Festival Hall in London and the Palacio de Bellas Artes in Mexico City. Chris has prepared choirs for major international conductors, including Yannick Nézet-Séguin, Simone Young, Carlos Miguel Prieto and William Boughton, as well as for Broadway legend Patti Lupone and Ray Davies of the Kinks. He made his Carnegie Hall debut in 2015, and made his conducting debut with the New Haven Symphony in 2016.

Chris returned to America in 2008 after a dozen years in Sydney, Australia, where he founded the Sydneian Bach Choir and Orchestra. He led their BACH 2010, a project to perform all of Bach’s choral cantatas. Under his direction, the ensemble performed over eighty cantatas, as well as the two Passions, B Minor Mass, and Christmas Oratorio; they completed the cantata cycle in 2013. In addition to the music of J.S. Bach, Chris has conducted many staples of the choral-orchestral repertoire, and he has commissioned and premiered a number of new choral works in both Australia and America. He also leads two of the longest-running annual Messiah performances in America, with the Worcester Chorus at Mechanics Hall, and at Carnegie Hall with the Masterwork Chorus.

A committed music educator, Chris has served on the faculty of the Taft School, Sydney Grammar School, Hotchkiss Summer Portals, and Holy Cross College. He founded the Litchfield County Children’s Choir in 1990, and has conducted numerous middle and high school festival choirs in New England, New York and Australia. He presented two documentaries with SBS-TV, an Australian national public television network, and has given several presentations at conferences for American Choral Directors Association and Australian National Kodàly Association. Chris has been a guest conductor at Emmanuel Church in Boston, a church renowned for its four-decade Bach cantata project, and he currently serves as Music Director of St John’s Episcopal Church in Stamford, Connecticut. He led the Dessoff Choir in New York City from 2010 to 2016.

A pianist and keyboard continuist, Chris holds degrees from the Hartt School, the Yale School of Music (where he studied choral conducting with Marguerite Brooks) and the University of Sydney. He researched the performance history of Bach’s B Minor Mass in New York City for his PhD in Musicology; his dissertation won the American Choral Directors Association’s 2012 Julius Herford Prize for outstanding doctoral thesis in choral music.

The Siberian State Symphony Orchestra

The Siberian State Symphony Orchestra dates back to 1977. Very quickly in it’s early history the orchestra, then led by eminent Soviet conductor Ivan Shpiller, has won the reputation of one of the best orchestras in former Soviet Union. SSSO has worked with conductors such as Leonard Slatkin, Dmitri Jurowski, Gintaras Rinkevicius, Vladislav Chernushenko among others, and performed regularly with the soloists Mikhail Pletnev, Vadim Repin, Dmitri Hvorostovsky, Lazar Berman, Igor Oistrakh, Denis Matsuev, Rudolf Buchbinder, and Nikolai Lugansky, to name a few.

After the fall of the Iron Curtain The Siberian State Symphony has started touring internationally to critical acclaim.

In 1993, by the special Decree of the Russian Ministry of Culture, the Orchestra was awarded the title of State Orchestra and in 2009 received the venerable status of a Particularly Valuable Object of Cultural Heritage.

In 2015 Vladimir Lande became orchestra’s new Artistic Director and Chief Conductor. Since then, SSSOhas started successful new collaborations with international recording labels such as Naxos, Delos, and Parma Records and orchestra’s televised concerts became available for online streaming. The orchestra and it’s new Artistic Director are not only maintaining the high performing standards but also dedicate significant amount of time to their mission as educators in the region of Central Siberia.

Ingrid Silva

DANCE THEATRE OF HARLEM

Born: Rio de Janeiro, Brazil.

Training: Projeto Dan-cando Para Nao Dancar, Escola de Danca Maria Olenewa, and Centro de Movimento Debora Colker. Education: Universidade da Cidade.

Professional experience: Dance Theatre of Harlem (sixth year), Grupo Corpo (apprentice), Dance Theatre of Harlem Ensemble, Dancado Para Nao Dancar, Armitage Gone! Dance, and the Francesca Harper Project. Repertoire: works by Arthur Mitchell, Donald Byrd, George Balanchine, John Alleyne, Darrel Grand Moultrie, Francesca Harper, Robert Garland, David Fernandez, Carol Armitage, Deborah Colker, Rodrigo Pederneiras, and many others.

Volodymyr Sirenko

NATIONAL SYMPHONY ORCHESTRA OF UKRAINE

Born in the Poltava region of Ukraine, Volodymyr Sirenko has been compared by the international press to other brilliant conductors such as Esa-Pekka Salonen and Simon Rattle.

His conducting debut took place at the Kyiv Philharmonic Hall in 1983 with works by Stravinsky, Schoenberg and Boulez. In 1989 Sirenko graduated from the Kyiv Conservatoire where he studied conducting under Prof. Allin Vlasenko. In 1990, he was a finalist at the International Conducting Competition in Prague. A year later, he was appointed Chief Conductor and Artistic Director of the Ukrainian Radio Symphony Orchestra, a position he held until 1999. During this period he made over 300 recordings that are kept in the funds of the Ukrainian Radio and include Mozart Symphonies Nos. 38 and 41, Beethoven Symphony No. 9, Brahms A German Requiem, Rachmaninov Bells, Dvorak Symphonies Nos. 7 and 9.

He has been Artistic Director and Chief Conductor of the National Symphony Orchestra of Ukraine since 1999. Among hundreds of programs that he has performed with the orchestra, highlights include The Complete Symphonies by Gustav Mahler, the four Passions and Mass in B Minor by Bach, and Lyatoshynsky's Complete Symphonies.

He recorded over 50 compact discs and the CD of Silvestrov's Requiem for Larissa was nominated for a Grammy Award in 2005. He premiered many works by Ukrainian composers including Silvestrov's Symphonies No. 7 and 8, and Stankovych's Symphony No. 6. He has worked with many international orchestras including the Royal Philharmonic Orchestra, the Moscow and the St. Petersburg Philharmonic, Sinfonia Warsovia, NOSPR (Katowice), the Svetlanov Symphony Orchestra, the Bratislava Radio Symphony, the Jerusalem Symphony Orchestra, the National Philharmonic of Russia, the Brooklyn Philharmonic.

Sirenko has appeared in numerous concert halls around the world, including Concertgebouw (Amsterdam), Brucknerhaus (Linz), Barbican Hall and Cadogan Hall (London), Theatre des Champs-Elysees and Opera Comique (Paris), Seoul Art Center, Palau de la Musica in Valencia and Centro Manuel de Falla in Granada, Filharmonia Narodowa (Warsaw), the Great Hall of Moscow Conservatory and the Great Hall of St. Petersburg Philharmonia, the Roy Thomson Hall (Toronto), the Tokyo City Opera and the Osaka Symphony Hall.

Volodymyr Sirenko is a People's Artist of Ukraine and laureate of the Taras Shevchenko National Prize, Ukraine’s most prestigious award. He is Professor of the opera and symphonic conducting at the National Music Academy of Ukraine.

Jeannette Sorrell

APOLLO’S FIRE

Award-winning harpsichordist and conductor Jeannette Sorrell has been credited by the U.K.’s BBC Music Magazine for forging “a vibrant, life-affirming approach to the re-making of early music… a seductive vision of musical authenticity.” Sorrell made her debut with the Pittsburgh Symphony in 2013 as conductor and soloist in the complete Brandenburg Concertos. With standing ovations every night, the event was hailed as “an especially joyous occasion” (Pittsburgh Tribune-Review). Other guest conducting engagements include the Seattle Symphony, Los Angeles Chamber Orchestra, the New World Symphony (Miami), Utah Symphony, Handel & Haydn Society (Boston), the Opera Theatre of St. Louis with the St. Louis Symphony, Omaha Symphony, and the Houston Early Music Festival where she filled in for British conductor Richard Egarr on five days’ notice, leading the complete Brandenburg Concertos and playing the harpsichord solo in Brandenburg No. 5.

Sorrell and Apollo’s Fire record for the British label AVIE RECORDS, and have released 24 commercial CDs, of which seven have been Top 10 bestsellers on the Billboard Classical chart. Her recordings include the complete Brandenburg Concerti and harpsichord concerti (with Sorrell as harpsichord soloist and director), which was praised by the London Times as “a swaggering version… brilliantly played by Sorrell.” She has also released four discs of Mozart, and was hailed as “a near-perfect Mozartian” by Fanfare Magazine. Billboard bestsellers include the Brandenburgs, the Monteverdi Vespers, and Sorrell’s 4 crossover/folk programs: Come to the River – An Early American Gathering; Sacrum Mysterium – A Celtic Christmas Vespers; Sugarloaf Mountain – An Appalachian Gathering; and Sephardic Journey – Wanderings of the Spanish Jews.

Sorrell has attracted national attention and awards for creative programming. She is a two-time recipient of the prestigious “American Masterpieces” grant from the National Endowment for the Arts for the research and production of early American music. Her awards include an honorary doctorate from Case Western Reserve University, the Bodky Award from the Cambridge Society of Early Music and the Noah Greenberg Award from the American Musicological Society, given for her work in reconstructing early American repertoire. As a teenager, Ms. Sorrell lived in the rural Shenandoah Valley, where she grew to love Appalachian music and Southern harmony.

Kathie Stewart

APOLLO’S FIRE

Kathie Stewart is a founding member and principal flutist of Apollo’s Fire. A faculty member of the Cleveland Institute of Music, she is also a Kulas Visiting Artist at Case Western Reserve University, as well as Curator of Harpsichords at the Oberlin Conservatory of Music, where she taught baroque flute for nearly 20 years. She is an avid proponent of Celtic music, playing Irish flute on several AF recordings. She has also performed with the Cleveland Orchestra, Tafelmusik, Oberlin Baroque Ensemble, ARTEK, and the Bach Sinfonia in Washington, D.C.

Ilya Yakushev

Piano

Winner of the 2005 World Piano Competition in Cincinnati, Ohio, Mr. Yakushev received his first award at age 12 as a prizewinner of the Young Artists Concerto Competition in his native St. Petersburg. In 1997, he received the Mayor of St. Petersburg’s Young Talents award, and in both 1997 and 1998, he won First Prize at the Donostia Hiria International Piano Competition in San Sebastian, Spain. In 1998, he received a national honor, The Award for Excellence in Performance, presented to him by the Minister of Culture of the Russian Federation in Moscow. Most recently, Mr. Yakushev became a recipient of the prestigious Gawon International Music Society’s Award in Seoul, Korea.

Mr. Yakushev attended the Rimsky-Korsakov College of Music in his native St. Petersburg, Russia, and subsequently came to New York City to attend Mannes College of Music where he studied with legendary pianist Vladimir Feltsman.

Ilya Yakushev is a Yamaha artist.