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Diclofenac rezeptfrei italien ische Männerkrankungen (Neurologische Geburtschutz, 1): 27-25, 1995. D.A.M.D. (1989) The development of autonomic nervous system: a biological study on autonomic disturbances during adolescence. Arch Ital Neurol, 13: 193-203. D.A.M.D., & B.N.J.M. (1986) Neuroendocrine determinants of emotion in humans: the role of gonadal hormones diclofenac rezeptfrei preis and autonomic nervous system. Neuroendocrinology, 45: 97-111. D. A. M. D., & W. P. C. Todt (1966) The influence of puberty on autonomic nervous system activity. Zeitschrift fur Psychologie und Physiologie, 70: 61-61. D. A. M. D., & W. P. C. Todt (1965) Adrenalectomy in monkeys alters vasomotor regulation of the autonomic nervous system. Journal of Physiology, 201: 239. D. M. (1982). On brain autonomic system function. In C. P. Kapp (Ed.), The neuroendocrine control of autonomic nervous system. New York: Academic Press. D. R. G. (1999) Adrenal secretion. diclofenac tabletten 25 mg preis J. Am Dietn Assoc., 103: 1558-1565. Daniel M. D.; B. N. J. M.; C. P. Kapp; B. Murchison; H. L. Leibel, & I.J. Bhattacharya (1988). Perilipin: a novel cholinergic selective agent for the inhibition of vasotonic regulation autonomic nervous system. Life Sci, 52: 983-989. Deborah J. Dokken (1995) A neurobiological mechanism for normal emotion, stress and depression. Ann. N.Y. Acad. Sci., 857: 23-43. Edward D. (1967) The neuroanatomical bases of behavior controlling function the autonomic nervous system. Neural Netw., 17: 449-493. F. M. Köchling (1993) Neuroendocrine responses to stress. In: J. M. Ollmann (Ed.), Psychobiology of stress. Berlin: Springer-Verlag, pp. 99-110. F. N. Shulman (1978) Synaptic transmission in the nigrostriatal pathways of hypothalamus. Cell Research, 14: 297-306. Forrest M.J. Hinton (1973) Perturbations in vasopressin tone on the guinea pig prelimbic cortex. Jpn Neurol. Psychiatr. Biol. Suppl. 23: 91-93. Frederick A. Fekkai (1995) Adrenal adrenocortical regulation of the sympathetic and parasympathetic nervous systems: a role in stress and anxiety. Atorvastatin uk cost In: J. M. Ollmann (Ed.), Psychological stress and physiology, New York: Plenum Press/Z-Wachmann, pp. 113-134. F. H. de Haan (1990) The hypothalamic pituitary adrenal axis: a review. Rev. Gen. Psychiat., 17: 103-118. Fredric R. Wainer and diclofenac rezeptfrei tabletten Jeanette L. Meston (1975) Neuroendocrine regulation of vasocontrol through the sympathetic nervous system and its relationship to the norepinephrine release from adrenal cortex and catecholamines in the medulla oblongata. Life Sci., 30: 578-591. Frank S.F. (1992) Circadian rhythm of mood and alertness. Behav. Brain Res., 66: 199-211. G. F. Wiesch (1968) The neuro-endocrine.

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Kevin John Edusei

CHINEKE!

Born in 1976 in Germany Edusei studied sound engineering (Tonmeister), classical percussion and orchestral conducting at the University of the Arts Berlin and the Royal Conservatory The Hague with Jac van Steen and Ed Spanjaard. In 2004 he was awarded the fellowship for the American Academy of Conducting at the Aspen Music Festival by David Zinman, in 2007 he was a prize-winner at the Lucerne Festival conducting competition under the artistic direction of Pierre Boulez, and in 2008 he won the International Dimitris Mitropoulos Competition.

Edusei was appointed Chief Conductor of the Munich Symphony Orchestra in 2014. He has been applauded for introducing an eclectic range of repertoire into the MSO concert programs and cultivating a loyal, trusting audience, and in recognition of these achievements the orchestra was awarded the Excellence Initiative of the German Federal Government in 2018. Edusei made his conducting debut at The Proms (an eight-week summer season of daily orchestral classical music concerts in London) with the Chineke! Orchestra in August 2017 and led its first commercial recording for the Signum label. In 2019 Edusei will lead the Munich Symphony Orchestra on its first tour of China and Korea.

As Chief Conductor at Bern Opera House, Edusei has led many new productions including Peter Grimes, Salome, Bluebeard’s Castle, Tannhäuser, Kátya Kábanová, a cycle of the Mozart Da Ponte operas - described in the press as “rousing and brilliant” - and Ariadne auf Naxos which led the Neue Zürcher Zeitung to describe him as “the discovery“ of the production. Elsewhere Edusei has conducted at the Semperoper Dresden (Mozart's Die Entführung aus dem Serail and Hindemith's Cardillac) and in 2018 he made his debut at the Hamburg State Opera. He has conducted Die Zauberflöte at the Volksoper Wien and Komische Oper Berlin where he has also conducted Don Giovanni. In 19/20 he makes his debut at the Hannover State Opera in a new production of Tosca and at English National Opera in a new production of The Marriage of Figaro.

Edusei has a varied discography, which includes recordings with the Bern Symphony Orchestra, Chineke! Orchestra and Tonkünstler Orchestra, and he is currently mid-way through a cycle of the complete Schubert symphonies with the Munich Symphony Orchestra.

Chineke!

Chineke! was founded in 2015 by the double bass player, Chi-chi Nwanoku OBE, to provide career opportunities for young Black and Minority Ethnic (BME) classical musicians in the UK and Europe.

Chineke!’s mission is: ‘Championing change and celebrating diversity in classical music’.

The Chineke! Orchestra, the Foundation’s flagship ensemble, works closely with its sister ensemble, the Chineke! Junior Orchestra, a youth orchestra of BME players aged between 11 and 22, with senior players acting as mentors, teachers and role models to the young musicians.

In 2017, the Chineke! Orchestra made its BBC Proms debut at the Royal Albert Hall in August and performed at many other leading festivals throughout England, all to great critical acclaim. Chineke! has released two albums over the past year with more planned in 2019.

The Chineke! Ensemble comprises the principal players of the Chineke! Orchestra. It has performed in Manchester in 2017 and made its debut at Wigmore Hall in 2018 before going on to play at the Cheltenham and Ryedale festivals. In the autumn of 2018, the ensemble performed at the Tonbridge Music Club, Wimbledon International Festival, Cambridge Music Festival and at St George's Bristol.

Chineke!'s founder, Chi-chi Nwanoku OBE, says: ‘My aim is to create a space where BME musicians can walk on stage and know that they belong, in every sense of the word. If even one BME child feels that their colour is getting in the way of their musical ambitions, then I hope to inspire them, give them a platform, and show them that music, of whatever kind, is for all people.’

In the words of Sir Simon Rattle: ‘Chineke! is not only an exciting idea but a profoundly necessary
one. The kind of idea which is so obvious that you wonder why it is not already in place. The kind of idea which could deepen and enrich classical music in the UK for generations. What a thrilling prospect!’

Sheku Kanneh-Mason

CELLIST

SHEKU KANNEH-MASON, ONE OF THE BRIGHTEST YOUNG STARS ON THE CLASSICAL MUSIC SCENE, BECAME A HOUSEHOLD NAME WORLDWIDE IN MAY 2018 AFTER PERFORMING AT THE WEDDING OF THE DUKE AND DUCHESS OF SUSSEX AT WINDSOR CASTLE. HIS PERFORMANCE WAS GREETED WITH UNIVERSAL EXCITEMENT AFTER BEING WATCHED BY NEARLY TWO BILLION PEOPLE GLOBALLY.

THE WINNER OF THE 2016 BBC YOUNG MUSICIAN COMPETITION, SHEKU IS ALREADY IN GREAT DEMAND FROM MAJOR ORCHESTRAS AND CONCERT HALLS WORLDWIDE. IN JANUARY 2018, HIS DEBUT RECORDING FOR DECCA CLASSICS, INSPIRATION, WAS RELEASED, FEATURING THE SHOSTAKOVICH CELLO CONCERTO NO. 1 WITH THE CITY OF BIRMINGHAM SYMPHONY ORCHESTRA AND MIRGA GRAŽINYTĖ-TYLA. THE PHENOMENAL SUCCESS OF THE ALBUM PROPELLED SHEKU TO A DEBUT SPOT AT NUMBER 18 IN THE OFFICIAL UK ALBUM CHARTS, AND NUMBER 1 IN THE CLASSICAL CHART. ALONGSIDE SHORT WORKS BY SHOSTAKOVICH, OFFENBACH, CASALS, AND SAINT-SAËNS, SHEKU’S OWN ARRANGEMENT OF BOB MARLEY’S NO WOMAN NO CRY WAS ALSO FEATURED ON THE ALBUM, AND WENT VIRAL ON SOCIAL MEDIA, CLOCKING 1 MILLION STREAMS IN ITS FIRST MONTH ON SPOTIFY ALONE. IN JUNE 2018, SHEKU RECEIVED THE MALE ARTIST OF THE YEAR AND THE CRITICS’ CHOICE AWARDS AT THE RE-LAUNCHED CLASSIC BRIT AWARDS, AND IN JULY 2018 BECAME THE FIRST ARTIST TO RECEIVE THE NEW BRIT CERTIFIED BREAKTHROUGH AWARD, HAVING SOLD OVER 30,000 COPIES OF HIS DEBUT ALBUM IN THE UK AND SURPASSING 100,000 ALBUM SALES WORLDWIDE.

SHEKU HAS ALREADY PERFORMED WITH A NUMBER OF THE MAJOR UK ORCHESTRAS AND MADE DEBUTS IN THE 18/19 SEASON WITH THE SEATTLE SYMPHONY, THE ORCHESTRE PHILHARMONIQUE DE RADIO FRANCE, NETHERLANDS CHAMBER ORCHESTRA AT THE CONCERTGEBOUW, THE ATLANTA SYMPHONY, THE JAPAN PHILHARMONIC AS WELL AS RETURNING TO THE BBC SYMPHONY ORCHESTRA TO PERFORM THE ELGAR CONCERTO IN HIS HOMETOWN OF NOTTINGHAM.

IN 19/20, HE OPENS THE LONDON PHILHARMONIC SEASON AND MAKES DEBUTS WITH THE FRANKFURT RADIO SYMPHONY, BALTIMORE SYMPHONY, AND THE LOS ANGELES CHAMBER ORCHESTRA AMONG OTHERS. HE ALSO MAKES HIS DEBUT IN A NUMBER OF MAJOR GERMAN CITIES PERFORMING ELGAR WITH THE CBSO.

RECITAL PERFORMANCES IN 18/19 AND 19/20 HAVE INCLUDED AND WILL INCLUDE DEBUTS AT THE BARBICAN CENTRE’S MILTON COURT, WIGMORE HALL, ZURICH TONHALLE, LUCERNE FESTIVAL, AS WELL AS A MAJOR TOUR OF NORTH AMERICA TO INCLUDE CONCERTS IN BOSTON, LOS ANGELES, BERKELEY, ANN ARBOR, MINNESOTA AND SHEKU’S RECITAL DEBUT AT CARNEGIE HALL NEW YORK.

IN 2017, SHEKU MADE HIS BBC PROMS DEBUT AT THE ROYAL ALBERT HALL AS SOLOIST WITH THE CHINEKE! ORCHESTRA, AN ENSEMBLE WITH WHICH HE ENJOYS A SPECIAL RELATIONSHIP, HAVING TAKEN PART IN THEIR DEBUT CONCERT AT THE ROYAL FESTIVAL HALL IN 2015 AND RETURNING AS SOLOIST TO PERFORM THE HAYDN CONCERTO IN SEPTEMBER 2016. HE RETURNED TO THE ALBERT HALL TO PERFORM THE ELGAR CONCERTO AT THE PROMS IN SUMMER 2019. SHEKU IS PASSIONATE ABOUT THE IMPORTANCE OF MAKING CLASSICAL MUSIC ACCESSIBLE TO ALL AND IS CURRENTLY THE FIRST LONDON MUSIC MASTERS JUNIOR AMBASSADOR. IN 2018/19, HE BEGAN A TWO YEAR ROLE AS ‘YOUNG ARTIST IN RESIDENCE’ AT THE ROYAL LIVERPOOL PHILHARMONIC TAKING PART IN THE ORCHESTRA’S EDUCATION PROGRAMME AS WELL AS PERFORMING IN LIVERPOOL A NUMBER OF TIMES ACROSS THE TWO SEASONS.

IN FEBRUARY 2018, SHEKU PERFORMED ‘EVENING OF ROSES’ AT THE BAFTAS AWARDS SHOW AT THE ROYAL ALBERT HALL. HE WAS JOINED ON STAGE BY FOUR OF HIS SIX SIBLINGS, ALL OF WHOM PERFORM CLASSICAL MUSIC TO AN EXCEPTIONAL STANDARD. THIS WAS THE FIRST TIME ANY ARTIST HAS BEEN INVITED TO PERFORM DURING THE CEREMONY TWO YEARS RUNNING AND FOLLOWED HIS MEMORABLE PERFORMANCE OF LEONARD COHEN’S ‘HALLELUJAH’ AT THE 2017 BAFTAS, THE SUBSEQUENT RECORDING GOING VIRAL ON YOUTUBE.

IN JULY 2019, SHEKU WAS AWARDED THE PRESTIGIOUS 2019 PPL CLASSICAL AWARD AT THE O2 SILVER CLEF CEREMONY IN SUPPORT OF INDEPENDENT MUSIC THERAPY CHARITY, NORDOFF ROBBINS. IN 2017, HE WAS AWARDED THE SOUTH BANK SKY ARTS BREAKTHROUGH AWARD, GIVEN BY THE JUDGES TO THE MOST PROMISING YOUNG ARTIST ACROSS ALL GENRES, FOLLOWING RECENT WINNERS BILLIE PIPER AND STORMZY. HE HAS PERFORMED ALONGSIDE HOLLYWOOD A-LISTERS IN ‘THE CHILDREN’S MONOLOGUES’ DIRECTED BY DANNY BOYLE AT CARNEGIE HALL NEW YORK AND HAS PLAYED AT NO. 10 DOWNING STREET IN FRONT OF AN ILLUSTRIOUS GUEST LIST FOR BLACK HISTORY MONTH.

SHEKU IS CURRENTLY A FULL-TIME ABRSM SCHOLARSHIP STUDENT AT THE ROYAL ACADEMY OF MUSIC, STUDYING WITH HANNAH ROBERTS. HE BEGAN LEARNING THE CELLO AT THE AGE OF SIX WITH SARAH HUSON-WHYTE AND THEN STUDIED WITH BEN DAVIES AT THE JUNIOR DEPARTMENT OF THE ROYAL ACADEMY OF MUSIC WHERE HE HELD THE ABRSM JUNIOR SCHOLARSHIP. HE HAS RECEIVED MASTERCLASS TUITION FROM GUY JOHNSTON, ROBERT MAX, ALEXANDER BAILLIE, STEVEN DOANE, RAFAEL WALLFISCH, JO COLE, MELISSA PHELPS AND JULIAN LLOYD WEBBER AND IN JULY 2017, PARTICIPATED IN THE VERBIER FESTIVAL ACADEMY IN MASTERCLASSES WITH FRANS HELMERSON AND MIKLOS PERENYI. A KEEN CHAMBER MUSICIAN, SHEKU PERFORMS WITH HIS SISTER, ISATA AND BROTHER, BRAIMAH, AS A MEMBER OF THE KANNEH-MASON TRIO. HE PLAYS AN ANTONIUS AND HIERONYMUS AMATI CELLO C.1610, KINDLY ON LOAN FROM A PRIVATE COLLECTION.

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