October 24 7:30 pm

Run Time: About 2.5 hours including intermission

Tickets

RESERVED SEATING
Adult: $76-$55
Student: $20

Part of BACHtoberfest Weekend

Deeply sensitive, insightful and compelling, pianist Boris Giltburg performs Bach’s unforgettable Well Tempered Clavier, Book 1. This near-meditative journey through every key signature, each with two movements (Prelude and Fugue) allows the listener to experience Bach’s keyboard writing as he intended: musical practices to explore all ways of writing.  

Moscow-born Israeli pianist Boris Giltburg is known for his compelling interpretations of piano greats, performing with some of the world’s most distinguished ensembles, and this solo recital of Bach engages the listener in an exploration of Bach’s work on the modern-day keyboard. An avid interpreter of all periods of the classical music repertoire, Giltburg often dives deep into the workings of the composer through his blog “Classical Music for All”. 

Please note: program, venue, time, and artist are subject to change.

Boris Glitburg

Boris Glitburg

Boris Giltburg is lauded across the globe as a deeply sensitive, insightful and compelling interpreter for his narrative-driven approach to performance. Critics have praised his “interplay of spiritual calm and emphatic engagement” as “gripping… one could not wish for a more illuminating, lyrical or more richly phrased interpretation” (Suddeutsche Zeitung). During the 2025/26 season, Giltburg appears with the Leipzig Gewandhaus Orchestra, Frankfurt Radio Symphony, Philharmonia Orchestra, Helsinki Philharmonic, Salzburg Mozarteum, Warsaw Philharmonic, Essen Philharmonic, Basque National and Taipei Symphony orchestras. Throughout the season, Giltburg is Artist-in-Residence at the Dresdner Philharmonie and returns to the orchestra on three occasions, and embarks on a tour to Italy. This season sees Giltburg collaborating with leading conductors including, Jukka-Pekka Saraste, Krzysztof Urbański, Dima Slobodeniouk, Dalia Stasevska, Kahchun Wong, Jun Märkl and Anja Bihlmaier. Giltburg’s long list of orchestral collaborators extends to the Czech Philharmonic, Orchestra dell’Accademia Nazionale di Santa Cecilia, Finnish Radio Symphony, Orchestre National de France, Oslo Philharmonic, Philharmonia Orchestra, NHK Symphony and Seoul Philharmonic, among others.

Giltburg regularly gives recitals in the world’s most prestigious halls, including Concertgebouw, Amsterdam; BOZAR, Brussels; Elbphilharmonie, Hamburg; Southbank Centre and Wigmore Hall, London; Carnegie Hall, New York; Rudolfinum, Prague; and Konzerthaus, Vienna. Following the success of his Beethoven Piano Sonatas cycle across eight sold-out concerts at the Wigmore Hall, he continues the project at Flagey, Brussels, Palau de la Música, Valencia and Teatro Municipal in Santiago de Chile. In recent years Giltburg has also engaged in a series of in-depth explorations of other major composers such as Ravel and Chopin. Giltburg is widely recognized as a leading interpreter of Rachmaninov: “His originality stems from a convergence of heart and mind, served by immaculate technique and motivated by a deep and abiding love for one of the 20th century’s greatest composerpianists.” (Gramophone). This season sees Giltburg perform the complete Rachmaninov Preludes during the opening weekend of the Southbank Centre’s 25/26 season and Rachmaninov’s 3rd Piano Concerto with the Philharmonia Orchestra at Bold Tendencies. In 2025 Giltburg released an album of Rachmaninov’s landmark Piano Sonatas nos. 1 and 2 alongside his own version of The Isle of the Dead, based on Krikor’s arrangement, which received the Preis der deutschen Schallplattenkritik / German Record Critics’ Award.

A consummate recording artist, Giltburg has recorded exclusively for Naxos since 2015. He was awarded the Opus Klassik Award for Best Soloist Recording of Rachmaninov’s concerti and Etudes Tableaux and a Diapason d’Or for Shostakovich concerti and his own arrangement of Shostakovich’s Eighth String Quartet. Among others, he has won a Gramophone Award for the Dvořák Piano Quintet on Supraphon with his regular collaborators, the Pavel Haas Quartet, as well as a Diapason d’Or and Choc de Classica for their joint release of the Brahms Piano Quintet.

Giltburg feels a strong urge to engage audiences beyond the concert hall. His blog “Classical Music for All” is aimed at a non-specialist audience, which he complements with articles in publications such as Gramophone, BBC Music Magazine, The Guardian and The Times.

Curtis Performance Hall

Assumption University
Tsotsis Family Academic Center
500 Salisbury St. Worcester, MA 01609

Curtis Performance Hall in the Tsotsis Family Academic Center at Assumption University.

SEATING

This venue has stadium-style seating, with accessible seats marked on the seating chart. Row F is the only row that does not require access via stair. Please consider leaving seats in this row available for those who have mobility-related needs. Read more about accessibility here.

PARKING

Parking is in Lot N (Chapel Lot). Accessible parking is available at the rear of the building on the second floor (Building 19) and in Lot N. Read more here.

500 Salisbury St

500 Salisbury St, Worcester, MA 01609, USA