April 24, 2027 7:30 pm
Tickets
RESERVED SEATING
$89-$59
Use code MUSICWORCESTER for access
Martha Graham is one of the most iconic figures in dance, and today her legacy lives on through the Martha Graham Dance Company. This production features collaborations across genre, honoring the artistic legacy of the company by embracing newly commissioned programming alongside timeless masterpieces by Graham. The Martha Graham Dance Company keeps her iconic choreographic legacy alive with each performance.
This program features stunning visuals with creative staging, with the music of Gian Carlo Menotti, Zoltán Kodály, Rhiannon Giddens, Hofesh Shechter, Norman Dello Joio, and Âme.
Please note: program, venue, time, and artist are subject to change.
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DIVERSION OF ANGELS
Choreography and Costumes by Martha Graham
Music by Norman Dello Joio
Original lighting by Jean Rosenthal
Adapted by Beverly Emmons
Martha Graham once described ‘Diversion of Angels’ as three aspects of love: the couple in white represents mature love in perfect balance; red, erotic love; and yellow, adolescent love. The dance follows no story. Its action takes place in the imaginary garden love creates for itself.
LAMENTATION
Choreography, Set, and Costume by Martha Graham
Music by Zoltán Kodály
Original lighting by Martha Graham
Adapted by Beverly Emmons
The dance is performed almost entirely from a seated position, with the dancer encased in a tube of purple jersey. The diagonals and tensions formed by the dancer’s body struggling within the material create a moving sculpture, a portrait which presents the very essence of grief. The figure in this dance is neither human nor animal, neither male nor female: it is grief itself.
WE THE PEOPLE
Choreography by Jamar Roberts
Music by Rhiannon Giddens, arranged by Gabe Witcher
Costume Design by Karen Young
Lighting Design by Yi-Chung Chen
“We the People is equal parts protest and lament, speculating on the ways in which America does not always live up to its promise. Against the backdrop of traditional American music, We the People hopes to serve as a reminder that the power for collective change belongs to the people.” – Jamar Roberts, choreographer
ERRAND INTO THE MAZE
Choreography by Martha Graham
Music by Gian Carlo Menotti
Set by Isamu Noguchi
Concept and Direction by Luca Veggetti
Lighting by Philip Trevino
Costumes by Luca Veggetti
Loosely derived from the myth of Theseus, who journeys into the labyrinth to confront the Minotaur, a creature who is half man and half beast. Substituting a heroine for the hero of Greek mythology in her dance, Martha Graham created a female protagonist who would confront the beast. The maze may be her own mind and the confrontation may be with her own fears.
CAVE
Choreography by Hofesh Shechter
Creative Producer Daniil Simkin
Music by Âme and Hofesh Shechter
Costumes by Taylor McNeill and Caleb Krieg
Lighting Design by Yi-Chung Chen
Choreography Assistant Kim Kohlmann
This high-energy work by Hofesh Shechter emerged out of an idea brought to the Graham Company by the international dance star Daniil Simkin. Daniil was interested in taking the dance that is part of the techno club scene to a new level and finding a way to integrate choreographed movement into a Rave style event. As a prelude to this larger idea, Hofesh Shechter was invited to create a dance for the proscenium stage for the Graham dancers. The result is a visceral collective movement experience, with a powerful, swirling shared kinetic energy.
Artists

Martha Graham Dance Company
The Martha Graham Dance Company has been a leader in the evolving art form of modern dance since its founding in 1926. It is both the oldest dance company in the United States and the oldest integrated dance company.
Today, the Company is embracing a new programming vision that showcases masterpieces by Graham alongside newly commissioned works by contemporary artists. With programs that unite the work of choreographers across time within a rich historical and thematic narrative, the Company is actively working to create new platforms for contemporary dance and multiple points of access for audiences.
Since its inception, the Martha Graham Dance Company has received international acclaim from audiences in more than 50 countries throughout North and South America, Europe, Africa, Asia, and the Middle East. The Company has performed at the Metropolitan Opera House, Carnegie Hall, the Paris Opera House, Covent Garden, and the John F. Kennedy Center for the Performing Arts, as well as at the base of the Great Pyramids in Egypt and in the ancient Odeon of Herodes Atticus theater on the Acropolis in Athens. In addition, the Company has also produced several award-winning films broadcast on PBS and around the world.
Though Martha Graham herself is the best-known alumna of her company, the Company has provided a training ground for some of modern dance’s most celebrated performers and choreographers. Former members of the Company include Merce Cunningham, Erick Hawkins, Paul Taylor, John Butler and Glen Tetley. Among celebrities who have joined the Company in performance are Mikhail Baryshnikov, Margot Fonteyn, Rudolf Nureyev, Maya Plisetskaya, Tiler Peck, Misty Copeland, Herman Cornejo and Aurelie Dupont.
In recent years, the Company has challenged expectations and experimented with a wide range of offerings beyond its mainstage performances. It has created a series of intimate in-studio events, forged unusual creative partnerships with the likes of SITI Company, Performa, the New Museum, Barney’s, and Siracusa’s Greek Theater Festival (to name a few); created substantial digital offerings with Google Arts and Culture, YouTube, and Cennarium; and created a model for reaching new audiences through social media. The astonishing list of artists who have created works for the Graham dancers in the last decade reads like a catalog of must-see choreographers:
Kyle Abraham, Aszure Barton, Sidi Larbi Cherkaoui, Lucinda Childs, Marie Chouinard, Michelle Dorrance, Nacho Duato, Mats Ek, Andonis Foniadakis, Liz Gerring, Larry Keigwin, Michael Kliën, Pontus Lidberg, Lil Buck, Lar Lubovitch, Josie Moseley, Richard Move, Bulareyaung Pagarlava, Annie-B Parson, Yvonne Rainer, Sonya Tayeh, Doug Varone, Luca Vegetti, Gwen Welliver and Robert Wilson.
The current company dancers hail from around the world and, while grounded in their Graham core training, can also slip into the style of contemporary choreographers like a second skin, bringing technical brilliance and artistic nuance to all they do — from brand new works to Graham classics and those from early pioneers such as Isadora Duncan, Jane Dudley, Anna Sokolow, and Mary Wigman. “Some of the most skilled and powerful dancers you can ever hope to see,” according to the Washington Post last year. “One of the great companies of the world,” says The New York Times, while Los Angeles Times notes, “They seem able to do anything, and to make it look easy as well as poetic.”
The Hanover Theatre
2 Southbridge Street Worcester, MA 01608
The Hanover Theatre for the Performing Arts is a historic performance venue that seats 2,300 patrons. In 2008, The Hanover Theatre won a National Trust for Historic Preservation Award for its renovation and restoration of the original 1904 building built by Thomas Lamb. As one of Worcester’s largest and most active venues, it hosts performances and events a majority of days out of the year and is located in the heart of Worcester’s Theatre District.
SEATING
Accessible seating is clearly marked. There is elevator access to lower/upper lobbies and orchestra/lower balcony seating. There is no elevator to upper balcony seating. Read more about accessibility here.
PARKING
Public parking is available for purchase in the Federal Plaza Garage (save money and book in advance using ParkWhiz), McGrath (Library) Lot, and the Worcester Common Garage. Read more on the City of Worcester’s website, or in our parking section.
